“Doorways to an Urban Mirage: Urbanity and the Situated Cinema Project”. Canadian Journal of Film Studies. Special Issue: Curating Expanded Cinema. (Peer Reviewed).

Forthcoming Spring 2018: “Performing Architectural Bodies: Spectatorial Engagement in the Situated Cinema”.  Sculpting Cinema. Ed. Melanie Wilmink & Solomon Nagler. (Author and Co-editor).



“Book Review: Breaking and Entering: The Contemporary House, Cut, Spliced, and Haunted.” Public: Art | Culture | Ideas. 53: Mega-Event Cities (Spring 2016).

“Sidewalk Apparitions: The Situated Cinema Project; in camera”. The Situated Cinema Program Guide. Toronto: Pleasure Dome, 2015.

“Curatorial Statement – Radiant Bodies”. Radiant Bodies Program Guide. Toronto: Pleasure Dome, 2015.

“Chapter 11: (Home)Video-films from Nigeria and Ghana”. Directory of World Cinema: Africa. Bristol: Intellect, 2014. (Chapter introduction and six reviews).

“Situating the Immersive Experience: Exploring Intermedial Situations in Art/Cinema Installations”. Masters Thesis. Regina: University of Regina, 2014.

“’Scissors and Tape’: DIY Filmmaking and the Value of Unprofessional Learning”. Splice Magazine. Nov 2013.

“Go East Young West, Go East!” The 8 Fest Program Guide. Toronto: The 8 Fest, 2011.



“Programmer’s Notes”. $100 Film Festival Program Guide. Calgary: Calgary Society of Independent Filmmakers (CSIF), March 2012, 2011, 2010, 2009.

Answer Print Journal. Jan 2008 – Jan 2012. (Editor and author for various issues).

“Programmer’s Notes” Canadian Diaries Program Guide. Calgary: CSIF, 2010.

“Flickering Light in a Painted Frame: Cinema as Gallery”. Alberta Media Arts Alliance Society Film Festival Symposium Program Guide. Calgary: AMAAS, 2010.

“Programmer’s Notes”. Urbanity on Film Program Guide. Calgary: CSIF, 2009.

“New Surrealist Cinema.” Surrealism on Film Program Guide. Calgary: CSIF, 2008.



Melanie Wilmink essays on